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Room 1015 Cherry Punk
Eau de Parfum, Unisex, £120 Retail value
17306 ratings
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Room 1015 - Cherry Punk
From underground clubs to the national TV, Punk always had its own style, its own press (fanzines), its own movies, its own poetry...So we figured it should have its own fragrance. Loud like the rehearsal in the room without sound isolation.
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Featured notes
Learn more about the top, middle, and bottom notes in this fragrance.
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Fragrance family
Chypre
Chypre scents are defined as a combination of five notes - citrus (often bergamot), floral (classically, rose or jasmine), woody (often patchouli), oakmoss, amber and/or musk. These timeless, woody fragrances are ideal for charismatic and original personalities who wants to wear unique scents.
Learn moreBut don't just take our word for it
Here's how others described
the scent
the scent
The Scentbird community has spoken, and this is how reviewers categorized this scent.
- Strong37%
- Warm34%
- Sweet18%
- Light3%
- Powdery3%
- Fresh2%
Defer to the crowd
8316 reviews
Here's what our customers had to say about this product.
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- HRHolly R.05/09/2021Reviews 6Products received 12cherryit was very cherry but had a plasticy scent to me for some reason. but others loved it. i will still wear it. its nice for the most part.20
- SBSHALICIA B.05/09/2021Reviews 7Products received 17Love this smellWas not too strong but lasted all day. One of my favs20
- AWApril W.05/09/2021Reviews 6Products received 10Love itIts got a spicy kick with the smell different love itMy ratingsSpicyMysteriousDate NightSummerSweetRefined20
- DGDevon G.05/08/2021Reviews 3Products received 26greatI absolutely love this scentMy ratingsFruitySexyDate NightFallSweetRefined20
- MTMelissa T.05/08/2021Reviews 26Products received 128Smells like a concert.Reminds me of going to concerts. Fruity and musky at first and then finishes on a light floral and powder note. Love it. Definitely not for everyone though, especially if you're not a fan of strong scents or leather.My ratingsWoodySexyDate NightFallWarmIntense20
About the brand
Explore Room 1015
Stop, rewind. A shiny black stretch limo with tinted windows and gleaming hubcaps pulls up to 8104 Sunset Boulevard. Sepia Polaroid, freeze frame. Time to wind back an old cassette with a pencil to a time when the Continental Hyatt Hotel, aka the “Riot House,” was the place to be.
The 70s was a decade of total delirium for any self-respecting rock group. And L.A. was an inevitable stop on the journey. Between concerts, there were three commandments in the Bible of Rock that all managers had to obey: a crowd of totally hysteric fans in the hotel lobby or, more often, in the darkness of an unmade bed, the tour rider to be followed religiously (24 pages about how to present the yogurt for Metallica) and the art of trashing a hotel room. A place of debauchery and nihilism.
Rumor has it that Holiday Inn rooms had an annoying reputation for being as boring as they were destructive to the soul. When you put wild animals in a cage and keep them in a confined space, it’s no surprise if they end up out of control. After all, they’re born to be wild. So, furniture goes flying, fire extinguishers start spraying, beds break and walls crack. When the California heat wilts the palm trees and burns rubber tires, rock ‘n’ roll turns the volume up to 11. There’s an uncontrollable urge to break everything, to turn everything upside-down.
The Riot House trembled on more than one occasion, but never fell down. In 1972, a TV flew out of Room 1015 and landed 10 floors below in a corner of the parking lot. Keith Richards and Bobby Keys – the Stones’ sax player at the time – didn’t think it worked very well. Q.E.D.
Not to mention the motorcycles in the hallways, the rooftop pool overflowing with bubbles, Jim Morrison dangling from a balcony, the epic battles of Keith Moon from The Who… Or, even more iconic, the Christ-like Robert Plant who took himself for a Golden God above the Sunset Trip with his angel’s hair, Nepalese bracelets and skimpy T-shirt, convinced that he had finally found the Stairway to Heaven.
The electric opiate years. No reason, no faith, no laws and definitely no taboos. Sexual liberation and universal love. But, above all, the metronome of an unprecedented creative explosion. Don’t forget that Lemmy Kilmister wrote the song “Motorhead” on a night off at the Riot House.
Today, Room 1015 remains a place of contemplation. The nostalgia of an era of absolute freedom, where the air still holds the lingering smells of sweat, leather, fur, alcohol, a burned patchouli leaf and an open flight case…
The Eagles sang “Hotel California,” with its supposed satanic undercurrents. There were certainly untamed demons in every hotel room from San Francisco to Las Vegas, from Hollywood to Venice Beach. But Room 1015 clearly outnumbered them all.
Learn moreThe 70s was a decade of total delirium for any self-respecting rock group. And L.A. was an inevitable stop on the journey. Between concerts, there were three commandments in the Bible of Rock that all managers had to obey: a crowd of totally hysteric fans in the hotel lobby or, more often, in the darkness of an unmade bed, the tour rider to be followed religiously (24 pages about how to present the yogurt for Metallica) and the art of trashing a hotel room. A place of debauchery and nihilism.
Rumor has it that Holiday Inn rooms had an annoying reputation for being as boring as they were destructive to the soul. When you put wild animals in a cage and keep them in a confined space, it’s no surprise if they end up out of control. After all, they’re born to be wild. So, furniture goes flying, fire extinguishers start spraying, beds break and walls crack. When the California heat wilts the palm trees and burns rubber tires, rock ‘n’ roll turns the volume up to 11. There’s an uncontrollable urge to break everything, to turn everything upside-down.
The Riot House trembled on more than one occasion, but never fell down. In 1972, a TV flew out of Room 1015 and landed 10 floors below in a corner of the parking lot. Keith Richards and Bobby Keys – the Stones’ sax player at the time – didn’t think it worked very well. Q.E.D.
Not to mention the motorcycles in the hallways, the rooftop pool overflowing with bubbles, Jim Morrison dangling from a balcony, the epic battles of Keith Moon from The Who… Or, even more iconic, the Christ-like Robert Plant who took himself for a Golden God above the Sunset Trip with his angel’s hair, Nepalese bracelets and skimpy T-shirt, convinced that he had finally found the Stairway to Heaven.
The electric opiate years. No reason, no faith, no laws and definitely no taboos. Sexual liberation and universal love. But, above all, the metronome of an unprecedented creative explosion. Don’t forget that Lemmy Kilmister wrote the song “Motorhead” on a night off at the Riot House.
Today, Room 1015 remains a place of contemplation. The nostalgia of an era of absolute freedom, where the air still holds the lingering smells of sweat, leather, fur, alcohol, a burned patchouli leaf and an open flight case…
The Eagles sang “Hotel California,” with its supposed satanic undercurrents. There were certainly untamed demons in every hotel room from San Francisco to Las Vegas, from Hollywood to Venice Beach. But Room 1015 clearly outnumbered them all.
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Room 1015
Cherry Punk
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From underground clubs to the national TV, Punk always had its own style, its own press (fanzines), its own movies, its own poetry...So we figured it should have its own fragrance. Loud like the rehearsal…
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20
minutes
:
00
seconds
scent world
featuring: Michael Partouche
Michael went from being a pharmacist by trade to being a
rocker by trade. He says the guitar was his salvation. At a
certain point he leaned into fragrance as a medium for
olfactive counterculture, a bridge between chemistry and art.
rocker by trade. He says the guitar was his salvation. At a
certain point he leaned into fragrance as a medium for
olfactive counterculture, a bridge between chemistry and art.