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Room 1015 - Poppy Riot
Poppy Riot is the scent of a new gene, restless, bold, and effortlessly cool. Inspired by youth culture, it channels raw creative energy and constant reinvention. Green mandarin and prune ignite a vivid poppy heart with saffron and davana, settling into tobacco, havanawood, tonka, and modern sublimolide.
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Dressed in a sleek, refillable case, our 8 mL bottles hold roughly 120 sprays each, and should last until your next order.
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Featured notes
Learn more about the top, middle, and bottom notes in this fragrance.
Explore all notes
Fragrance family
Woody Spicy
Rich, textured and warm - these scents evoke assertive sensuality and confidence. Scents in this family are focused around the beautiful harmony between creamy, sensual woods and bold spices, blended with hints of sweetness and amber resin.
Learn moreBut don't just take our word for it
Here's how others described
the scent
the scent
The Scentbird community has spoken, and this is how reviewers categorized this scent.
- Warm50%
- Strong42%
- Powdery7%
- Light0%
- Sweet0%
- Fresh0%
Defer to the crowd
22 reviews
Here's what our customers had to say about this product.
Filter reviews
- KWKristopher W.07/20/2026Reviews 15Products received 15I like itit's a great fragrance. I like the poppy & tobacco notes. could have used some more citrus.My ratingsSpicySummerEasy-going00
- HFHALEIGH F.07/10/2026Reviews 4Products received 35Lovely But Beware if You Are Sensitive to Synthetic MuskI adored this on paper, but I have a supernose for synthetic musks (in this case, Sublimolide) and once I sprayed it on skin, that's all I could smell ... for two days. Heartbreaker, as I otherwise loved this scent profile.My ratingsWoodySexyPartyFallStrongIntense10
- GMGretch M.07/08/2026Reviews 17Products received 19Unique Heavy FloralIf you want a more unique floral scent, this is perfect for you. A few sprays last all day and this one is definitely on the stronger side. The poppy gives it a different edge than the usual white floral scents in a great way, this one was just an example of not my thing personally.My ratingsFloralFlirtyPartySummerStrongIntense00
- JHJosie H.07/07/2026Reviews 1Products received 1Not very enthused with them on this one!I think they were way to manly smelling for a lady’ definitely a fragrance you could layer other fragrances with more like for fall or winter00
- AAAzizah A.07/02/2026Reviews 3Products received 61Way Too Powdery fro Me!I was a little misguided by some of the notes described. All I can smell is powder. It is overpowering by too much powder and a baby powder smell is that so if it wasn’t for that, I might be able to stand this, but I do not like it not for me.My ratingsFloralCleanWorkoutSummerPowderyIntense00
About the brand
Explore Room 1015
Stop, rewind. A shiny black stretch limo with tinted windows and gleaming hubcaps pulls up to 8104 Sunset Boulevard. Sepia Polaroid, freeze frame. Time to wind back an old cassette with a pencil to a time when the Continental Hyatt Hotel, aka the “Riot House,” was the place to be.
The 70s was a decade of total delirium for any self-respecting rock group. And L.A. was an inevitable stop on the journey. Between concerts, there were three commandments in the Bible of Rock that all managers had to obey: a crowd of totally hysteric fans in the hotel lobby or, more often, in the darkness of an unmade bed, the tour rider to be followed religiously (24 pages about how to present the yogurt for Metallica) and the art of trashing a hotel room. A place of debauchery and nihilism.
Rumor has it that Holiday Inn rooms had an annoying reputation for being as boring as they were destructive to the soul. When you put wild animals in a cage and keep them in a confined space, it’s no surprise if they end up out of control. After all, they’re born to be wild. So, furniture goes flying, fire extinguishers start spraying, beds break and walls crack. When the California heat wilts the palm trees and burns rubber tires, rock ‘n’ roll turns the volume up to 11. There’s an uncontrollable urge to break everything, to turn everything upside-down.
The Riot House trembled on more than one occasion, but never fell down. In 1972, a TV flew out of Room 1015 and landed 10 floors below in a corner of the parking lot. Keith Richards and Bobby Keys – the Stones’ sax player at the time – didn’t think it worked very well. Q.E.D.
Not to mention the motorcycles in the hallways, the rooftop pool overflowing with bubbles, Jim Morrison dangling from a balcony, the epic battles of Keith Moon from The Who… Or, even more iconic, the Christ-like Robert Plant who took himself for a Golden God above the Sunset Trip with his angel’s hair, Nepalese bracelets and skimpy T-shirt, convinced that he had finally found the Stairway to Heaven.
The electric opiate years. No reason, no faith, no laws and definitely no taboos. Sexual liberation and universal love. But, above all, the metronome of an unprecedented creative explosion. Don’t forget that Lemmy Kilmister wrote the song “Motorhead” on a night off at the Riot House.
Today, Room 1015 remains a place of contemplation. The nostalgia of an era of absolute freedom, where the air still holds the lingering smells of sweat, leather, fur, alcohol, a burned patchouli leaf and an open flight case…
The Eagles sang “Hotel California,” with its supposed satanic undercurrents. There were certainly untamed demons in every hotel room from San Francisco to Las Vegas, from Hollywood to Venice Beach. But Room 1015 clearly outnumbered them all.
Learn moreThe 70s was a decade of total delirium for any self-respecting rock group. And L.A. was an inevitable stop on the journey. Between concerts, there were three commandments in the Bible of Rock that all managers had to obey: a crowd of totally hysteric fans in the hotel lobby or, more often, in the darkness of an unmade bed, the tour rider to be followed religiously (24 pages about how to present the yogurt for Metallica) and the art of trashing a hotel room. A place of debauchery and nihilism.
Rumor has it that Holiday Inn rooms had an annoying reputation for being as boring as they were destructive to the soul. When you put wild animals in a cage and keep them in a confined space, it’s no surprise if they end up out of control. After all, they’re born to be wild. So, furniture goes flying, fire extinguishers start spraying, beds break and walls crack. When the California heat wilts the palm trees and burns rubber tires, rock ‘n’ roll turns the volume up to 11. There’s an uncontrollable urge to break everything, to turn everything upside-down.
The Riot House trembled on more than one occasion, but never fell down. In 1972, a TV flew out of Room 1015 and landed 10 floors below in a corner of the parking lot. Keith Richards and Bobby Keys – the Stones’ sax player at the time – didn’t think it worked very well. Q.E.D.
Not to mention the motorcycles in the hallways, the rooftop pool overflowing with bubbles, Jim Morrison dangling from a balcony, the epic battles of Keith Moon from The Who… Or, even more iconic, the Christ-like Robert Plant who took himself for a Golden God above the Sunset Trip with his angel’s hair, Nepalese bracelets and skimpy T-shirt, convinced that he had finally found the Stairway to Heaven.
The electric opiate years. No reason, no faith, no laws and definitely no taboos. Sexual liberation and universal love. But, above all, the metronome of an unprecedented creative explosion. Don’t forget that Lemmy Kilmister wrote the song “Motorhead” on a night off at the Riot House.
Today, Room 1015 remains a place of contemplation. The nostalgia of an era of absolute freedom, where the air still holds the lingering smells of sweat, leather, fur, alcohol, a burned patchouli leaf and an open flight case…
The Eagles sang “Hotel California,” with its supposed satanic undercurrents. There were certainly untamed demons in every hotel room from San Francisco to Las Vegas, from Hollywood to Venice Beach. But Room 1015 clearly outnumbered them all.
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20
minutes
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00
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scent world
featuring: Michael Partouche
Michael went from being a pharmacist by trade to being a
rocker by trade. He says the guitar was his salvation. At a
certain point he leaned into fragrance as a medium for
olfactive counterculture, a bridge between chemistry and art.
rocker by trade. He says the guitar was his salvation. At a
certain point he leaned into fragrance as a medium for
olfactive counterculture, a bridge between chemistry and art.