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Room 1015 Cherry Punk Extrait de Parfum
Extrait de Parfum, Unisex, $255 Retail value
1601 ratings
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Room 1015 - Cherry Punk Extrait de Parfum
Discover the intensified, concentrated allure of Cherry Punk. 430 King’s Road, London, the Vivienne Westwood's store called SEX, this is where it all begins. Cool kids with bleached hair swapping rare vinyl records. Distressed denim, hand-painted leather, latex, tartans, prints that would make your parents blush and lock you in the house for the whole summer… Did Punk invent fashion or fashion invented Punk? From underground clubs to the national TV, Punk always had its own style, its own press (fanzines), its own movies, its own poetry...So we figured it should have its own fragrance. Loud like the rehearsal in the room without sound isolation. Powerful like youth riot but still sweet and romantic - the idealism of adolescence wrapped in a heavy leather jacket.
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Featured notes
Learn more about the top, middle, and bottom notes in this fragrance.
Fragrance family
Woody Fruity
Fragrances in the Woody Fruity family open with fruit and citrus top notes that soften and add warmth to the woods. These scents beautifully balance the juxtaposition of bright, fresh notes with the creamy smoothness of woods.
Learn moreBut don't just take our word for it
Here's how others described
the scent
the scent
The Scentbird community has spoken, and this is how reviewers categorized this scent.
- Strong45%
- Warm31%
- Sweet17%
- Powdery2%
- Light2%
- Fresh1%
Defer to the crowd
820 reviews
Here's what our customers had to say about this product.
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- EHElise H.Reviews 7Products received 11Goth CherryAll the other cherry scents can kick rocks. Cherry, leather, and tobacco, with great last and good projection.My ratingsSpicySexyEverydayFallStrongIntense40
- APAmber P.Reviews 2Products received 3UghI do not understand the hype on this one at all. It smells like a bad new car smell. 🤢11
- SMSHELBY M.Reviews 2Products received 7ExquisiteGreat cologne held scent for a while and got many compliments10
- MHMEARA H.Reviews 16Products received 58The best cherryThe notes in the Extrait iteration of Cherry Punk are so expertly woven together into something complexed and lovely. I can’t stop smelling it.90
- JTJACQ T.Reviews 5Products received 25reading is fundamentaldear peasants, it’s an extrait. that’s why it’s + $10.2419
- ARAlberto R.the title was edited. snob.
About the brand
Explore Room 1015
Stop, rewind. A shiny black stretch limo with tinted windows and gleaming hubcaps pulls up to 8104 Sunset Boulevard. Sepia Polaroid, freeze frame. Time to wind back an old cassette with a pencil to a time when the Continental Hyatt Hotel, aka the “Riot House,” was the place to be.
The 70s was a decade of total delirium for any self-respecting rock group. And L.A. was an inevitable stop on the journey. Between concerts, there were three commandments in the Bible of Rock that all managers had to obey: a crowd of totally hysteric fans in the hotel lobby or, more often, in the darkness of an unmade bed, the tour rider to be followed religiously (24 pages about how to present the yogurt for Metallica) and the art of trashing a hotel room. A place of debauchery and nihilism.
Rumor has it that Holiday Inn rooms had an annoying reputation for being as boring as they were destructive to the soul. When you put wild animals in a cage and keep them in a confined space, it’s no surprise if they end up out of control. After all, they’re born to be wild. So, furniture goes flying, fire extinguishers start spraying, beds break and walls crack. When the California heat wilts the palm trees and burns rubber tires, rock ‘n’ roll turns the volume up to 11. There’s an uncontrollable urge to break everything, to turn everything upside-down.
The Riot House trembled on more than one occasion, but never fell down. In 1972, a TV flew out of Room 1015 and landed 10 floors below in a corner of the parking lot. Keith Richards and Bobby Keys – the Stones’ sax player at the time – didn’t think it worked very well. Q.E.D.
Not to mention the motorcycles in the hallways, the rooftop pool overflowing with bubbles, Jim Morrison dangling from a balcony, the epic battles of Keith Moon from The Who… Or, even more iconic, the Christ-like Robert Plant who took himself for a Golden God above the Sunset Trip with his angel’s hair, Nepalese bracelets and skimpy T-shirt, convinced that he had finally found the Stairway to Heaven.
The electric opiate years. No reason, no faith, no laws and definitely no taboos. Sexual liberation and universal love. But, above all, the metronome of an unprecedented creative explosion. Don’t forget that Lemmy Kilmister wrote the song “Motorhead” on a night off at the Riot House.
Today, Room 1015 remains a place of contemplation. The nostalgia of an era of absolute freedom, where the air still holds the lingering smells of sweat, leather, fur, alcohol, a burned patchouli leaf and an open flight case…
The Eagles sang “Hotel California,” with its supposed satanic undercurrents. There were certainly untamed demons in every hotel room from San Francisco to Las Vegas, from Hollywood to Venice Beach. But Room 1015 clearly outnumbered them all.
Learn moreThe 70s was a decade of total delirium for any self-respecting rock group. And L.A. was an inevitable stop on the journey. Between concerts, there were three commandments in the Bible of Rock that all managers had to obey: a crowd of totally hysteric fans in the hotel lobby or, more often, in the darkness of an unmade bed, the tour rider to be followed religiously (24 pages about how to present the yogurt for Metallica) and the art of trashing a hotel room. A place of debauchery and nihilism.
Rumor has it that Holiday Inn rooms had an annoying reputation for being as boring as they were destructive to the soul. When you put wild animals in a cage and keep them in a confined space, it’s no surprise if they end up out of control. After all, they’re born to be wild. So, furniture goes flying, fire extinguishers start spraying, beds break and walls crack. When the California heat wilts the palm trees and burns rubber tires, rock ‘n’ roll turns the volume up to 11. There’s an uncontrollable urge to break everything, to turn everything upside-down.
The Riot House trembled on more than one occasion, but never fell down. In 1972, a TV flew out of Room 1015 and landed 10 floors below in a corner of the parking lot. Keith Richards and Bobby Keys – the Stones’ sax player at the time – didn’t think it worked very well. Q.E.D.
Not to mention the motorcycles in the hallways, the rooftop pool overflowing with bubbles, Jim Morrison dangling from a balcony, the epic battles of Keith Moon from The Who… Or, even more iconic, the Christ-like Robert Plant who took himself for a Golden God above the Sunset Trip with his angel’s hair, Nepalese bracelets and skimpy T-shirt, convinced that he had finally found the Stairway to Heaven.
The electric opiate years. No reason, no faith, no laws and definitely no taboos. Sexual liberation and universal love. But, above all, the metronome of an unprecedented creative explosion. Don’t forget that Lemmy Kilmister wrote the song “Motorhead” on a night off at the Riot House.
Today, Room 1015 remains a place of contemplation. The nostalgia of an era of absolute freedom, where the air still holds the lingering smells of sweat, leather, fur, alcohol, a burned patchouli leaf and an open flight case…
The Eagles sang “Hotel California,” with its supposed satanic undercurrents. There were certainly untamed demons in every hotel room from San Francisco to Las Vegas, from Hollywood to Venice Beach. But Room 1015 clearly outnumbered them all.
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Room 1015
Cherry Punk Extrait de Parfum
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scent world
featuring: Michael Partouche
Michael went from being a pharmacist by trade to being a
rocker by trade. He says the guitar was his salvation. At a
certain point he leaned into fragrance as a medium for
olfactive counterculture, a bridge between chemistry and art.
rocker by trade. He says the guitar was his salvation. At a
certain point he leaned into fragrance as a medium for
olfactive counterculture, a bridge between chemistry and art.